Jacqueline de Jong (b. 1939, Hengelo, Netherlands) was recently the subject of a major retrospective at WIELS Centre d’Art Contemporain, Brussels (2021), which is currently on view at MOSTYN, Wales and will travel to Kunstmuseum Ravensburg, Germany in 2022. Solo institutional exhibitions include Stedelijk Museum, Amsterdam (2019); Musée Les Abattoirs, Toulouse (2018); Malmö Konsthall (2018) and the Beinecke Library of Rare Books and Manuscripts, Yale University (2011), which acquired her archive, the Jacqueline de Jong Papers. Her work has been featured in the contextual surveys Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings, Petzel, New York (2019); Asger Jorn & Jacqueline de Jong: Case of the Ascetic Satyr, Galerie Clemens Thimme, Karlsruhe (2016); and The Avant-Garde Won’t Give Up: Cobra and Its Legacy, Blum & Poe, Los Angeles (2015). She is the recipient of an Outstanding Merit Award (2019), administered by the French Ministry for Culture and the AWARE Prize for Women Artists. Her work is in the permanent collections of the Musée National d'Art Moderne, Centre George Pompidou, Paris; Stedelijk Museum, Amsterdam; Moderna Museet, Stockholm; Musée les Abattoirs, Toulouse; Cobra Museum for Modern Art, Amstelveen; Frans Hals Museum, Haarlem; Museum Arnhem, Arnhem; Museum Boijmans van Beuningen, Rotterdam; Museum Jorn, Silkeborg; Henie Onstad Kunstsenter, Oslo; MONA Tasmania; Kunstmuseum Göteborg; Lenbachhaus, Munich; MCCA Toronto, and others.